Full Aperture: Early U.S. Avant-Garde Cinema

Full Aperture’s inaugural season kicks off with three legendary pillars of U.S. avant-garde film: Joseph Cornell’s ROSE HOBART (1936), Maya Deren’s MESHES OF THE AFTERNOON (1943), and Robert Frank & Alfred Leslie’s PULL MY DAISY (1959). Dreams figure big in these early works, which captivated viewers with subjective visions of perception and reality.